Abstract:

The article discusses how the narrative in Indian cinema has changed with times. One finds a persistent change in the depiction of female characters. There is an ever-widening gap in the representation of the female point of view. The female voice is also fading into oblivion from the music scene. One has tried to compare old and new movies with respect to human emotions and conflicts. These conflicts though timeless; are shown in different lights and changing stances as the time moves on through the dear medium that is Indian cinema.

Description:

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